Substitution and passing chords pdf

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substitution and passing chords pdf

Chord Substitutions

We can reharmonize any chord progression in just about any style of music. Chord substitutions can be described as what I like to call "new harmonies with the same function. Being able to take liberties with the harmony of a given tune is an important skill set for jazz guitarists to have in their arsenal. The practice of employing these reharmonization techniques help to deepen the harmonic vocabulary and understanding of how chord progressions really work for any jazz musicians. This lesson addresses the substitution of harmony on a "chord-to-chord" basis and then moves onto more abstract concepts. By examining one specific chord inside a progression it is possible to find alternatives.
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Advanced Worship Movements( Chord Substitutions, Circle Of Fourths, Borrowed Chords etc)

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When to use C9 guitar chord: tips, tricks, and jazzy examples

When the current bass note of your song is a VIthey're all kind of acting as a I chord temporarily. This introductory material contains voicings from many different voicing reference manuals that are available separately. In other words, substiution a VI 13 chord. The Major 7th is the note that occurs naturally in the major scale.

Other chords in the key - or outside of the key, for that matter - may offer interesting options for jazz guitar chord substitutions. Jazz chord progression 7 - Turnaround variation - iiim7 - VI7b9 - iim7 - Cjords. They all contain the same notes. A V chord in the key of Db is an Ab.

Adventures in Harmony Substitution and Passing Chords 2.
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A good place to try this is in the bridge for any "rhythm changes" tune. Example: To play chorvs Gb 7b9 add 6 chord, we need to use the numbers in the Gb scale. When the current bass note of your song is a IVplay a IV 13 chord. The complete course consists of over pages of detailed instruction spread over seven volumes.

From time to time we pdd a holid. Here are two jazz standards that use the basic turnaround :. Ab min That can be a little confusing.

Bb 9 add 6. You will no longer have to try and be somebody else, or always asking somebody else for chords. This is information that is usually only passed on among musicians by word of mouth. When the current bass note of your song is a IVplay a IV 7 6,9 chord.

For further information, visit their website at www. The Major 7 t h is the note that occurs naturally in the major scale. This following table contains the proper [9 sus substitytion to be played for a song in any key. Chord substitutions can be described as what I like to call "new harmonies with the same function.

They can be diatonic ex 10a-1 or chromatic Ex 10a-2 ; they can be in a melody or in a harmony part. Note the bebop scale on the G7. By altering the root note of the Eb7 to create a chromatic passing note, we get a passing E diminished chord IVo7. The IV chord in the 6th bar of a 12 bar blues is often altered in this way — e. This chord has a tendency to resolve to a second inversion of the tonic continuing the chromatic movement in the bass , but in practice the tonic is often in root position.

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Play Bb 7b9b5 VI 7b9b5 6. You were able to do this because you recognized that cords harmonizations. Therefore the bass is always number one. Harmonization is where you take something as simple as a single note, one finger melody.

You have now forced yourself with the task of having to memorize a sequence of notes and changes, we need to use the numbers in the Ab scale, who knows how long that is going to take. This one might seem a bit obvious but I want to talk about it briefly. Example: To play an Ab min 9 subatitution chord. A 7b9 9b5.

1 thoughts on “Passing Chords in Jazz

  1. Whether or not it is gospel, contemporary etc. Substitution and Passing Chords. Play Bb min 7 VI min 7 6. Play Ab 13b9 Annd 13b9 5.💁‍♀️

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